'business' is cartoon-beat chase scene batman & robin like all the early singles but this time he's actually talking about batman and robin!! (a running theme of the entire record for some wonderful reason)
Eminem the eminem show cd series#
Haha later he gets crunk and actually says 'whodi' on the bounciriffic everlast-dreams-about-the-big-tymers 'superman'!! (fake southern accents are the new black italiano you know)Īlso on hailies song he sings and its not great but like better than mos defįirst in a series - people your fake indie ass will mention in a lame rock critic attempt to legitimize eminem: screamin' jay hawkins
![eminem the eminem show cd eminem the eminem show cd](https://m.media-amazon.com/images/I/610zPtQrqHL._CR0,204,1224,1224_UX175.jpg)
In a normal pfork review there would be some more bullshit here all like 'ha ha he makes fun of that stupid trl but he's on it!!' or like 'his rapping style is a direct copy of gab from blackalicious' like yeah dude timbaland is biting aphex twins white ass too haha i dunno fuck it here are some more bullshit things about the actual record like right on schedule pfork review styleĪfter a tender orchestral prelude (lexicon of love again) these like big silver jets fly overhead and lame linkin park riffs rev up and eminem 'finally' addresses the race issue telling us a bunch of shit we already knew about in his labored 'the way i am' style (with only a marginally better chorus than that grr)
![eminem the eminem show cd eminem the eminem show cd](https://i.ebayimg.com/images/g/NvcAAOSwvpVckWkX/s-l400.jpg)
This one time i was listening to eminem, andīut no no no this is more than usual like he pukes up the nastiest song about mother mathers ever but loves hailie lots and meanwhile metamorphasizes into a grown-ass woman 'on the rag and ovulating' making us listen to queen and aerosmith and and AND THEN him and dre have been 'fucking with hats off' all along!! (after this ahem revelation dre deadpans 'suck it, marshall') That said he's playing the same old marshall vs shady real-or-fake game as usual (stage-y red curtain album cover referencing 'smarmy' faux-soul masterpiece lexicon of love!?!) and its as interesting and complex as it ever was but that wasnt what i came to the shady table for in the first place and you know all about it anyway from spin so lets pretend not to care Oh my darling eminem! how i love you marshall, spittin shiny massive magnetic acrostics to fit the thrillest rhyme style ever invented (ugh yeah i'm trying not to explain his quote unquote flow in those meaningless autechre words like architectural and labyrinthine but SHIT) but yeah although em's lyrics arent usually quotably evocative for rock reviews like wu or jay here i'm not even going to try, you have to hear him spit at it live or on record jeez unless he went back on his dumb-ass 'policy' theres a nine dot one up there but i promise you 'the eminem show' is really a ten, know that Ryan loves it and he likes mmlp too so he's all sonning me now with this 'well ethan yes perhaps i'd allow you to give the marshall mathers lp a 10.0, i mean that particular record was perfect, but not this one' yeah well you were busy talking about at the motherfucking drive in back then so let me redeem your godawful site now.